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The Overstory: A Novel, by Richard Powers
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Amazon.com Review
An Amazon Best Book of April 2018: Do you love trees? I thought I did, until I read Richard Powers's The Overstory, and I realized that my appreciation of trees was lightweight at best. When one of Powers's characters goes to a small grove outside her office window to determine the tree's species, "She stands with her nose in the bark, perversely intimate. She doses herself for a long time, like a hospice patient self-administering the morphine." Trees are not exactly an addiction to the wide-ranging cast of characters--an engineer, a Vietnam vet, a college student, a videogame designer, and more—but more like a touchstone that offers tradition and destiny at once. Powers, a National Book Award and Pushcart Prize–winning author, is devious in that he first immerses the reader in the lives of his characters before delicately oxygenating his story with the devastation of Dutch elm disease, the enduring strength of the sequoia, and the communication methods trees use to warn of predators and to lure allies. The Overstory might sound a bit woo-woo—and it definitely is that, though in such a way that it inspires passion instead of eye-rolling. This gorgeously written novel will seduce you into looking more closely at not only our fellow human beings but the towering bio-kingdom that is too often merely a backdrop to our days. Perhaps, like me, you will be inspired to walk out into the night to smell the rain sweeping through the nearby evergreen trees. —Adrian Liang, Amazon Book Review
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Review
“The Overstory, a novel about trees and people who understand them, is the eco-epic of the year and perhaps the decade. Unlike the Lorax, who spoke for the trees, Richard Powers prefers to let them do their own talking.†- Leanne Shapton, judge for the Man Booker Prize“Autumn makes me think of leaves, which makes me think of trees, which makes me think of The Overstory, the best novel ever written about trees, and really, just one of the best novels, period.†- Ann Patchett“Monumental…The Overstory accomplishes what few living writers from either camp, art or science, could attempt. Using the tools of the story, he pulls readers heart-first into a perspective so much longer-lived and more subtly developed than the human purview that we gain glimpses of a vast, primordial sensibility, while watching our own kind get whittled down to size....A gigantic fable of genuine truths.†- Barbara Kingsolver, The New York Times Book Review (cover review)“Remarkable....This ambitious novel soars up through the canopy of American literature and remakes the landscape of environmental fiction.†- Ron Charles, Washington Post“A big, ambitious epic....Powers juggles the personal dramas of his far-flung cast with vigor and clarity. The human elements of the book―the arcs his characters follow over the decades from crusading passion to muddled regret and a sense of failure―are thoroughly compelling. So are the extra-human elements, thanks to the extraordinary imaginative flights of Powers’s prose, which persuades you on the very first page that you’re hearing the voices of trees as they chide our species.†- Michael Upchurch, Boston Globe“A rousing, full-throated hymn to Nature’s grandeur.†- Dan Cryer, San Francisco Chronicle“An extraordinary novel....An astonishing performance....There is something exhilarating, too, in reading a novel whose context is wider than human life. The Overstory leaves you with a slightly adjusted frame of reference....What was happening to his characters passed into my conscience, like alcohol into the bloodstream, and left a feeling behind of grief or guilt, even after I put it down.†- Benjamin Markovits, The Guardian“Powers is the rare American novelist writing in the grand realist tradition, daring to cast himself, in the critic Peter Brooks’s term, as a 'historian of contemporary society.' He has the courage and intellectual stamina to explore our most complex social questions with originality, nuance, and an innate skepticism about dogma. At a time when literary convention favors novelists who write narrowly about personal experience, Powers’s ambit is refreshingly unfashionable, restoring to the form an authority it has shirked.†- Nathaniel Rich, The Atlantic“This book is beyond special. Richard Powers manages to turn trees into vivid and engaging characters, something that indigenous people have done for eons but that modern literature has rarely if ever even attempted. It's not just a completely absorbing, even overwhelming book; it's a kind of breakthrough in the ways we think about and understand the world around us, at a moment when that is desperately needed.†- Bill McKibben“The Overstory is a visionary, accessible legend for the planet that owns us, its exaltation and its peril, a remarkable achievement by a great writer.†- Thomas McGuane
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Product details
Hardcover: 512 pages
Publisher: W. W. Norton & Company; 1st Edition edition (April 3, 2018)
Language: English
ISBN-10: 039363552X
ISBN-13: 978-0393635522
Product Dimensions:
9.3 x 6.2 x 1.5 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
457 customer reviews
Amazon Best Sellers Rank:
#1,607 in Books (See Top 100 in Books)
I finished this magnificent, life-changing book 1/2 hour ago, and I hope to read it again soon. Powers takes on the single most important topic of our time: the effects of humans on the planet and the possibility of a future. Through 9 varied characters, he brings to life the old forests, the lives of individual trees, the quest for AI, and the love people are capable of, among other themes. It's a tour de force of creation and, at 500 pages, it could have gone on forever and I would have been happy. It will also break your heart, but it's not completely without hope. Highest recommendation.
When looking for a literary analogue, The Overstory is almost something of a Dostoevskian novel. The themes are different of course—-Powers is not interested in discussing God or the basis of morality—but one does get the sense in reading the Overstory that the plot, characters and various literary devices are all at the service of the author’s philosophical vision. And by philosophical I don’t mean esoteric fine points of metaphysics but the larger question of the future of life on earth—in both Powers and Dostoevsky there is almost a return to the themes of ancient apocalyptic writings.While Powers certainly doesn’t need authentication of his narrative power—he has already won a National Book Award among many literary prizes—I can vouchsafe that he is an excellent storyteller. Similarly, his ability to create characters that may stretch the bounds of believability but still generate passionate sympathetic feelings in the reader is also beyond doubt.Thus, I found myself reading the Overstory with every free moment I had over two days and loving nearly every page.The overarching philosophy of the work is that human beings, either willfully or not, do not understand the amount of destruction they are causing to the world’s flora. Plants and trees, one of the oldest of the earth’s kingdoms, are only now beginning to be understood as beings that communicate, learn and in some instances even care for their own offspring. The human caused biocide of the world’s flora is a tragedy not only because these trees may have medicinal or other useful properties for humans but also because each one is a beautiful product of nature fashioned over millions of years. In the author’s view, we seem to be destroying some of the most important parts of creation, so that everyone can, so to speak, have a bigger projection screen TV.Nor are biofuels, renewable energy or other technological fixes likely to stem this downward spiral. Even virtual reality is only going to be as interesting as the humans who create it and so cannot be a genuine substitute for the complexity of what nature provides for us gratis in the real world.The author seems to envision only two scenarios: either humankind will wipe itself out and the earth will generate new, unforeseeable solutions to life or artificial intelligence will impose a solution on a humanity which cannot save itself.To those who have read optimistic works like Steven Pinker’s Enlightenment Now or related perspectives such environmental pessimism is somewhat startling. I can’t say that I am fully persuaded by Powers’ perspective but I can appreciate the accuracy of his science, the literary craftsmanship that went into embodying these ideas and the importance of his overall message.So, if you are willing to endure a literary punch to the stomach and put on apocalyptic glasses then you will thoroughly enjoy The Overstory. But, though a love of trees thoroughly permeates the book, it is hardly a walk in the park.
A wise, deep, moving epic by an exceptional writer. I was totally entranced. There are fabulous stand-alone set pieces, engaging characters, glorious prose and a soul-stirring look into the inner lives of trees. It’s one of a handful of books of which I can say I was a different person when I finished it. Bravo, Mr. Powers. This may very well be your masterpiece.
The first chapter alone is worth the price of entry -- if it were a stand-alone short story, it would be the best short story I've ever read. I have read a number of this author's works, and mostly enjoyed them, but there was always something missing. This book has it all.
How have I lived and read this long and not known of Richard Powers? What a writer and what a book.If I were still in my 20s or even 30s I would be buying copies of this book and thrusting them all on my friends and telling them it is a must read. Now that I'm considerably older than that, I'm not so naive. You have to come to it of your own. The trees themselves will call you do it, just as in the book.Of course, it's a clarion call to our species to stop wreaking havoc on the earth and all its species, including our own. And, of course, it is a cry in the dark. We will destroy ourselves and then the planet can begin to recover. It's happened many times during the earth's long history and will happen many times again. Too bad for us. Let's hope some of those magnificent giants out live us to help heal earth after we have destroyed it.Nevertheless, read this book and try to change the "live only for today and the next dollar" ethos.
I'm half way through it and I am finding it very hard to put down. This differs from his other novels in its accessibility to the average reader- I hope it will bring him the popularity he so richly deserves. This is an immensely readable novel- he seems to have improved his ability to communicate his rather esoteric ideas to an audience that is not necessarily well versed in science and/or music. His characters are well drawn and compelling- I find myself thinking about them often, and not wanting to end the book, because I will miss all of them. It is a uniquely American novel in many ways, and yet, of course, its themes are universal. Powers writes a lot about the connections between art and science; this more than most of his books, is about humans and our connection to nature. It's a common subject, and yet he gives it his own special twist. It's his most accessible novel since In The Time Of Our Singing. I have to say that the phrase "Great American Novel" keeps coming to me- I'm not sure if I am being hyperbolic.
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