Minggu, 16 November 2014

PDF Ebook , by Harold Guskin

benfernaprilpaget | November 16, 2014

PDF Ebook , by Harold Guskin

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, by Harold Guskin

, by Harold Guskin


, by Harold Guskin


PDF Ebook , by Harold Guskin

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, by Harold Guskin

Product details

File Size: 358 KB

Print Length: 208 pages

Publisher: Farrar, Straus and Giroux; 1st edition (June 25, 2003)

Publication Date: June 25, 2003

Sold by: Macmillan

Language: English

ASIN: B005OR08NI

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Amazon Best Sellers Rank:

#230,083 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

While most acting books focus on a specific method and everything the actor "should" do, this does a bit of a flip and teaches a "non-method," while focusing on what the actor should NOT do; or rather, on breaking an actor's bad habits- which most tend to have.The writing is simple and straightforward, but the content is quite unique, yet the content isn't quite like what you'd expedt to find in a book on how to act- or how NOT to act, in this case. He also includes lessons that he has learned from the big-name actors he has taught over the years, to give the actor a broader scope from which to view their own experiences and approach to acting.It's not a very long book, and while it does go off on a tangent at times, a definitely a refreshing place from which to undertake a new approach to performing and auditioning if you've been feeling stuck in your career.

This book not only stresses using your intuition, but provides actual help to get you there. I am very grateful for not only the good advice, but the philosophy beneath the advice. I'm sorry the author is dead because I would love to write him a thank you note. Anyone people like Kevin Kline depend on is good enough for me!!!

I purchased this book to help me in my voice acting. I'm not a trained actor, so i thought it would help me. The basic premise is simple: don't memorize a script, but keep the spontaneity juices going even through a performance. The author gives many anecdotes of his personal life as an actor, and of the students he coaches. I wish there was an a video or recording of an actual coaching session so that I could see the techniques in action.Because of my lack of training in the field, many of his techniques and experiences are over my head. Using this for voice over work is limited, in my view, because most voiceover scripts cannot be read in a spontaneous way, in a different mood each time. It might be useful in an audition, perhaps in finding the proper read, or in discovering a unique approach to the copy. If you're a voice actor, maybe it will help you. Your mileage may vary.If you're an actor, this book will give you a leg up from audition to final performance. Many of the famous names he's coached can attest to his techniques for success. Whether you're a seasoned professional or just beginning you'll find a lot in this book that will help you.

When I opened this it was all dirty and had grease marks all over it. Pretty gross, not a germaphobe but the fact I have to read this and it looks like it has been through hell and back is pretty gross.

This book has changed my acting radically. For the better!! Harold's ideas have opened me up and freed all the should'ves and ought-to-dos! Very hard to express...

Maybe it’s just the right time for me to have picked this book up.I just came from a class where I killed it with four scenes using Guskin’s techniques.I recommend this book for any actor, beginner or experienced.

This is a terrific book, an entirely different approach to creating a character that makes acting immediately accessible. I read it with a pen in hand, underlining passages and starring sections that were especially important. (A LOT of this book is marked up!) Two years of acting classes had me feeling confused and discouraged. This book made me excited about acting again.

Great technique for trusting the text and yourself. It leaves you free to respond to the other characters and to continuous exploration of the characters and the play.

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